Prokofiev, Reaktion Press, 2024.
The Global Conservatoire. Towards an Integrated Approach to Developing Twenty-First-Century-Artists with Diana Salazar. 2024.
“Le Tsar en scène et hors scène”, L’ Avant Scène Opera, Editions Premières Loges, 2023, No. 333 pp. 102 – 110
Transforming performance pedagogies: interactions between new technology and traditional methods
The Operas of Sergei Prokofiev, Boydell and Brewer, 2020.
Rethinking Prokofiev, co-edited with Rita McAllister, Oxford University Press, 2020.
Peer reviewed articles
Reflection as creative process: perspectives, challenges and practice’ in Arts & Humanities in Higher Education 2016, Vol. 15(3–4) 353–363.
‘Recontextualised Learning through Embedded Creativity: Developing a Module that applies Historically Informed Performance Practice to Baroque Music’ in Creative Teaching for Creative Learning in Higher Music Education, ed. Elizabeth Haddon and Pamela Burnard. Oxford and New York: Routledge, 2016.
“War and Peace and Prokofiev’s Late Operatic Aesthetic”, Three Oranges: the Journal of the Serge Prokofiev Foundation 21 (May 2011), pp. 20-25. Download here
“Ambiguous Modernism: the early orchestral works of Sergei Prokofiev”, Tempo Vol.65 No. 256, April 2011, pp. 25-37.
“The Giant and other creatures: Prokofiev’s childhood compositions”, Three Oranges: the Journal of the Serge Prokofiev Foundation 20 (November 2010), pp. 29-35. Download here
“Prokofiev, opera and theatre: a case study of The Gambler”, Musicorum No.8, Tours: Université François Rabelais, 2010, pp. 69-101. Download here
Other research
From piano to stage: a genealogy of musical ideas in the piano works of Sergei Prokofiev (1900 – c. 1920), PhD dissertation, University of St Andrews, 2010. Download here
Selected Book Reviews
Composing for the Red Screen: Prokofiev and Soviet Film Slavic and East European Journal Volume 58, No. 2, Summer 2014
Contemplating Shostakovich: Life, Music and Film Slavic and East European Journal Volume 58, No. 1, Spring 2014
Prokofiev’s piano sonatas by Boris Berman, Music and Letters Volume 90, No. 4, November 2009